Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies. 源自:https://tribecafilm.com/films/eric-larue-2023
挺难看的,杀人犯他妈的艰难生活,但看得时候觉得凭啥同情你啊,单纯论电影本身也不咋地
无聊,几个干瘪的老女人和疯掉的男人。因为那个杀人犯儿子把他的同学枪杀了而玉玉 像《萨德侯爵夫人》,本来一提到侯爵,大家都在说他小时候多么多么可爱,后来侯爵夫人见到萨德出狱后那种丑恶的样子直接不认人了。
看似无聊、安静的电影演员选谁非常重要,合适的演员的演技可以拯救至少一半电影内容的无聊和安静。无聊、安静不等于拍的不好。59:13的镜头转场非常精彩。导演功底在线。
太擅长营造情绪底色 明明是晴天 氛围却阴雨绵绵 什么都没说 却什么都说了
It’s astonishing to see people taking advantage,essentially feeding off of someone else’s tragedy like this.
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