HD
Inspired by true life events, in the Oyo Empire in the 1940's, Elesin Oba, the king's chief horseman, succumbs to the lure of beauty and sexual desire on the very evening he is set to die in order to fulfil his lifelong debt of ritual suicide to accompany the dead Alaafin to the realm of the ancestors, he derails from a very important generational and spiritual transaction. This sets in motion a series of catastrophic consequences, in a spell-binding film of emotions, humour, and tragic role reversals that puts ancient beliefs and customs on trial in an ever increasingly post-modern and Western world.
一种原始的陪葬行为,也行陪葬者自愿尚可接受,但往往在现实中陪葬多数是被逼自尽。
越到后面越假
在各种理念中,每个人都认为自己是对的,但究竟什么样才是对的?
对话居多···只是介绍非洲的一种习俗
刚看完达荷美女战士又看了这部,主要讲了英国式文明社会和前近代部落习惯法之间的冲突。不过奥约也太欢乐了吧,跟苦大仇深军国主义的达荷美相差太远了。一如普鲁士和奥地利,罗马和卡普亚。
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