Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.
姐洁妹抹站起来 歌唱着 在这悲惨世界里
女性要永远争取话语权
女性所受到的剥削不公正要靠自己团结一致反抗
看的老泪纵横,因为片中她们做的工作就是我曾经和现在在做的(包括我妈做的),我约了学校里另一个当AESH的同事一起去看,我们两都深受感动。我跟发财说,我不同意STEM那些工作工资高,然后便鼓励女性一定要去这些工作,我希望改变逻辑,这些照顾行业的工作(大部分从业者都是女性)能够得到应有的尊重和薪酬。发财说,这就是资本主义的逻辑哦,我说,我不同意这个资本主义的逻辑。
@埃塞Addis法培中心,还记得那落日、草雕、藏在小巷的矮房,电影有趣而发人深省,最后的法庭告诉和高歌太经典,是千年前雅典民主滥觞的韵律,人类社会也如此步步走来,平权自由斗争的缩影
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