选集列表
剧情简介
The world, life and work of Jaime Fernandes, a peasant born in Barcos (Beira Baixa, Portugal), who was diagnosed with paranoid schizophrenia at the age of 38 and interned in a sanatorium in Lisbon, Hospital Miguel Bombarda, where he died at the age of 69. When he was 65-years-old he started to paint and during the short period of life-time until his death he made a brilliant pictorial work, influenced by the social environment and the sanatorium daily-life. For the Portuguese-speaking members a lot of information about the film and director can be found here: http://antonioreis.blogspot.com/ For the French-speaking members: Critic de Jean Louis Schefer, Cinmathque-http://antonioreis.blogspot.com/2007/07/160-jaime-crtica-de-jean-louis-schefer.html
观众心声
视觉意象构造得不错但斯托克豪森大人的音乐让我坐立难安，总体来说不如《皮罗斯马尼主题上的蔓藤》一根。（因为本片导致饿意超过了看电影的动力而选择放弃月八日记转而和朋友去海吃一顿…）
难以描述的神奇观影体验，音乐以及画面构成了奇妙、恐惧、嘶吼的精神入侵。会让“正常人”感受到精神污染的某种类型催眠。
这样的环境记录+作品，最大程度能理解到这个画者的方式。想到中国画家郭凤仪。
纯好看，最简单纯粹的那种电影，动人的力量来自对人物的关心与对其处境的不过度思考
“海美死了八次。”海美不懂透视法，他画中角色的眼睛永远是正的，这些野蛮的形象仿佛已回归古代，忍受着被监禁的痛苦。而他生活的环境：精神病院的墙壁、他的笔记、随着形象的演变连成一圈的壁画、唯一的窗户，也都是封闭式的监狱，当一幅画被贴在其上，画里的主角就成为作者灵魂的化身，凭借自身的沉默与空间相抗衡。电影必须面对这种力量，进而聆听其骨骼的音乐，那些无法为语言所转译的叫声。