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剧情简介
Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet. While most of the later movies exploited this possibility for B-movie thrills, "Five" adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.
观众心声
很B级，但是概念下的末世感倒因为B的彻底变得生动
很平平，很文艺，很多逻辑也不对，太落后
满满的核恐惧。空无一人的城市有种压抑感。其实五个人的命运在核弹爆炸的那个时候已经注定了，繁衍什么的不太可能，就算结尾留白了也能想到真正的结局吧。
核战争后的末日生存片，在当时应该算比较超前的题材，故事模板也明显启发了现代同类电影，空城场景和随处可见的骷髅有种冰冷写实的恐怖。五名幸存者象征人类文明的五种代表性观念，白男A是欧美主流推崇的和平主义；白男B是父权社会中常见的强势好战社达主义者，这里作为反派角色塑造；黑男是被欺压歧视但任劳任怨的劳动者，他身上结合了有色人种和阶级性，代表社会中的底层民众和边缘群体；白女最初是围绕丈夫和家庭构建的传统女性形象，短视、软弱、优柔寡断，但她在亲眼见到丈夫骸骨、经历被欺骗和孩子夭亡后终于成长，最终和男主共同担负起生活的责任。
年代久远以至于爆炸的场景通过后期闲聊展现的..../ 想了半天也觉得是最后六个人啊...夭折的孩子还是早死的老人不配拥有姓名吗？