Lives are at stake, and tough decisions must be made under extreme pressure in Eirik Svensson’s riveting thriller that strikes a deep emotional chord and opens this year’s festival. Safe House is based on a true story that took place at a Doctors Without Borders field hospital in the Central African Republic on Christmas Eve, 2013. Civil war is raging, and Bangui is divided into a Muslim and a Christian section. Suddenly, a desperate man appears at the clinic in the Christian part of the city, where aid workers are struggling to save lives. He is Muslim, persecuted, and in imminent danger. Outside, an aggressive militia demands that the man be handed over, forcing Norwegian Linn, the clinic’s head of security, to confront profound moral dilemmas. Eirik Svensson and standout actors Kristine Kujath Thorp and Alexander Karim skillfully explore themes of courage and the value of human life in this powerful and thought-provoking drama.
#GFF25 哥德堡电影节开幕片。北欧一贯的自然主义摄影,低戏剧性的处理。剧作上把冲突的焦点放到个体身上,北欧文本的惯例。我会更倾向扩大背景、文化、政治。
不过不失的真实文本改编,但某种程度上后中段那种BE(?)感觉更符合对现实的刻板印象。比较喜欢的一点是最后仿佛昨夜并无惊心动魄的事情还是照常要早起上工,战地日常的恐怖氛围反而就在这种平静和匆忙里悠悠浮现,但里面又有一些类似于主旋律一样对于现实中的战地医疗的歌颂。
中非战乱期间,国际救援医疗团队救助了一名穆斯林士兵,从而引来敌对派系包围医院要求交出士兵,善良的女主想尽办法将他安全带离。女主的圣母光环有点太重了。
为什么一定要救,置自己团队的安危于不顾。
看吧,为什么说乱世必先嘎了圣母,不然危害整个团队。。。
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