DVD
心中的故乡9.0
主演：Choi Eun-Hee Byeon Ki-Jong Yoo Min Kim Seon-Young Seok Keum-Seong Nam Seung-Min
导演：尹龙奎
状态：DVD
选集列表
剧情简介
Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes "A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea." A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword: - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
观众心声
精緻小巧的故事
弃儿将对母爱的深切渴望，投射在崔银姬（代母）身上，渴念落空、憧憬坍塌的痛，是小和尚所不能承受的最大精神之疾，最终忍痛跳脱出束缚的环境，恰是成长涅槃。孽缘爱痛，佛法善恶，如何明心见性？朴素的影像、平实的质感，难得毫不矫情，又情深意长。山寺寂寂，山岚缭绕，摄影挺好。3.5
真挚古朴、舒缓节制，即没有新派电影苦情感伤的滥觞，也没有光复潮流的意识形态至上。去除搭景完全实景的选择加上精心的摄影使人物与景观密不可分，融为一体，空间内的运动和景深有足够真实的美感与朴素自然的意味。山林寺庙、古建鸟影，一派东亚传统美学的韵味，结尾大全景山叠云绕完全山水画。渴望母亲的孤儿与失去孩子的寡母，常见故事模型却讲的极真挚，萍水相逢的双向缓缓靠近是世间孤苦者的相互慰藉。而后二分冲突的设置，养母-亲母，首尔-乡村，都旨在点明拍摄时代的转变，而变的重点则是怎么脱离悲苦，宗教思维中罪孽传统必将去除，其解决办法则是真心的爱。走出寺庙的新现实主义，在保留冲突中走向了未来。片内或许有着电影史中最好的虚焦设置，在问为何遗弃之时，中景画面的彻底模糊是现实中导演了解现实后的不认苛责，真心善良的体切。
没法评分，1940的朝鲜啊，唯一我还算熟悉一点的就是朝鲜话，和现在的朝鲜还有吉林朝鲜族更贴近，和韩国的有一定差距
3.5，2019.10.02