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剧情简介
The film is a modern-day film noir in which the sardonic, ginsoaked detective contends with an odd cast of characters while tailing a mysterious, middle-aged man traveling with a Mexican boy from Chicago to Los Angeles. John Rosow is a Chicago gumshoe whose skill for cracking a case often comes with a price; he has a penchant for getting in over his head, but he never loses his...
观众心声
Neo Noir的气息无处不在，及其出色的摄影，苍白混乱的日和幽暗乖张的夜，令人印象深刻的红蓝黄纯灯光的运用，虽然没有score但是音乐选曲也极具品味。美学特征为整部电影把守住了基调，但讲述故事的方法对故事本身就不多的戏剧性（但是足够了）造成了毁灭性的打击，人物莫名其妙地在场景中来了又去，场与场间没有任何内在的逻辑联系，一切的故事都在一场戏的前十句对白中直白地铺陈出来，中间夹杂着更多干瘪无聊的对话，如果不看开头，我会以为这是两位会计在打电话。喜欢SantaMonica和NewYorkMovie的两段呼应。援引一部作品并不会让你的作品变得更好，让我们看更多的斯科塞斯和吕美特吧！ps.是不是我每喜欢上一个美女都要忍耐random电影只为了看里面random无趣角色的美丽镜头，太痛了！
私探跟踪，怀抱人间蒸发愿望的主人公们，冷硬派黑片，框架是用心的但情绪点是911顿觉勉强。制作简陋调色过度。爱德华霍普影院画入梦为关键点这个很美。迈克尔角色挺本色，女友凯特阿灵顿出演剧中老婆。还有Mickey Doyle！
两个失踪的人，像是《诡丝》里的那个瘸子。(You wake up one day and you're an adult. And all the people you were just dreaming about have gone and changed. So you shake the sleep dust from your eyes and you say, was it really so long ago that you and I sat together in fun? No. Not so long ago. But life goes by in the blink of an eye.)
抓住你的不是剧情，是这个时代一贯的疏离感