HD
Addressed to her 18-year-old daughter, the film delves into the patchwork psyche of today's young girls, connected to an infinite flow of ubiquitous Youtube tutorials (a formidable “expert” in just about everything and everything. anything, played by Julia Faure), Zoom discussions between girlfriends where we try to decide who is the coolest between Ted Bundy and Jeffrey Dahmer, dollhouses where Barbie and Ken discuss for long minutes on love and its multiple abjections… The film is placed under the auspices of Gilles Deleuze and his conference at La Fémis (“the Dream is a terrible will to power”), which has almost become a pop object in its own right with the internet.
【4.5】是2022年最具宣言性的开头了吧。不知道套了几层叙事在里面,人偶片段确实挺像林奇的兔子。对于梦和幻想倒是没藏着掖着,从意识出发构建封闭,有模糊观者意识的能力。是书写时代的电影。
21世纪奇观,千禧一代的混乱迷茫
3.5 确实有林奇的影子
波尼洛拍给女儿的成人礼,开头就交待了,结果是说不说都看不懂。电影在塑造梦魇,意识,媒介影响上手法挺有意思,但这意识流本身对我来说略废话~~~尤其当电影背景是covid的时候,对经历过两个多月彻底封城生活的我来说,你们真的有点吃饱了撑的。
虽然全是台词但是没有说教感很强的感觉。构图布景好好看。气候变暖,出轨,乱伦,天气预报,强奸致死,做梦。看似严重不严重的事情都在发生接受就好,不接受就不接受了,就算是一种地狱了
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