选集列表
剧情简介
Edith Hardy uses charity funds for Wall Street investments in hopes of buying some new gowns. She loses all the money and borrows from wealthy oriental Tori. When her husband gives her the amount she borrowed, Tori won't take it back, branding her shoulder with a Japanese sign of his ownership. She shoots him. Her husband takes the blame. In court Edith reveals all to an angry mob. Written by Ed Stephan {[email protected]} Richard Hardy, a hardworking stockbroker, labors overtime to keep up with the ruinous bills incurred by his beautiful but irresponsible wife Edith, a venal, spoiled socialite who is impervious to his pleas for fiscal restraint. Acting on what she believes to be an insider information, she impulsively embezzles $10,000 from the Red Cross charity she chairs for a stock tip. When she finds the money has been lost, she desperately turns to a Japanese ivory trader with whom she has been thoughtlessly flirting and persuades him to replace the money in exchange for an assignation. When her husband's long-awaited business deal finally materializes, she desperately tries to withdraw from their agreement by replacing the money. Angered and disappointed with her resistance to his advances, he uses a branding device to mark her shoulder as his property. Feeling violated, Edith shoots him in the shoulder and leaves. In order to protect his wife's reputation, Richard confesses to the crime and faces trial for attempted murder. Written by Gabe Taverney ([email protected])
观众心声
塞西尔·戴米尔的电影具有指向性和选择性的布光，引领了电影打光潮流。一直想看著名的剪影镜头，原来背景是纸糊的木质推拉门。片名叫蒙骗，基本是暂不富裕的阔太女主在作，被一个不靠谱的人骗了钱，又被他人趁虚而入，结果靠着老公和舆论安然无恙，其实只是虚荣心作祟搞出的祸端。所以三星全给场景和日本籍演员饰演的缅甸象牙王~
●设定有点模仿包法利（但是又完全不一样）。 ●日本人的妆容很符合他人模鬼样的人品。 ●日本人扯头发和盖章在女主身上，我觉得非常符合日本人不尊重和物化他人（尤其女性）的（恶心）德性——这确实很日本人。 ●我妈说这片的演员比格里菲斯的演员演的好（格里菲斯的头两部片演员确实很癫狂神经《党同伐异》要好很多） ●叙事挺完整的。能想到有声片的话，最后结局是个小高潮。 ●光影确实挺好。我还在纳闷怎么拍的因为我都不懂怎么拍 补:看到评论说女主脑子不好。 不。是这俩夫妻脑子都不太好（这种程度上挺配）
伯克利第二讲的电影，剧情本身乏善可陈，集中了所有意义上的政治不正确，上映后就收到日本美国人的批评，临时把坏人的国籍变成了缅甸……但是演员表演的确很有看点——特写与脸
3.5，1910年代的red pill教诲。作为保守派基督徒，西席·地密尔用东方主义=异教崇拜代指现代性物质主义的道德焦虑。一个细节是早川雪洲饰演的反派角色只有在开场和至关重要的转折场景——虐待/诬告———之中穿着的是“东方式”的服装，而在其他的引诱Edith的时候则穿着西装，因此影片仍然沿用了一个经典的福音派叙事，即上帝/玛门。《蒙骗》几乎包含了一切黑色电影的要素，只是和黑色电影包含的性别角色=权力关系的构造相反。导演敏锐地察觉到了日式房屋通过阴影所构成的表现主义视觉效果，这种视觉模式沿用在黑色电影之中。宫尾大辅将其视为早期电影的“日本性”所在。或许由于胶片的物理限制，导致剧情转折非常生硬，结尾的法庭场景也因为默片的原因很难呈现出逻辑感。
2019.05.02