HD
盲目的丈夫们7.0
主演：萨姆·德·格拉斯 Francelia Billington 埃里克·冯·施特罗海姆 Fay Holderness Richard Cumming
导演：埃里克·冯·施特罗海姆
状态：HD
选集列表
剧情简介
Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
观众心声
3.5星，大导演们都那么热衷于嘲弄可怜的丈夫们，这样的故事可以用真实的谎言里那个旧车推销员的台词来概括，要是丈夫们不冷落自己的妻子哪会有“他”的机会呢。梦境和山顶的桥段很出色不过最出色的还是施特罗海姆的表演，即便是之前看过N多次他的演出这个军官的淫荡与猥琐依然令人吃惊。
温和的劝诫立场，但是对我来说，用宗教来判决异端的申明还是显得太蠢了。很有好感的是养猎犬的大叔sepp。亮眼的焦点转移后叠化的期望。
"von" Stroheim的軍官身份。
I forgot something; suspenseful letter/wife/stroheim; two men on the mountain top; man and dog.
施特罗海姆导演处女作（并自编自演）。阿尔卑斯度假村庄，一对美国夫妇与一奥地利军官的三角恋，叙事高潮发生在险峰…沉稳细腻，技巧高超。已在运用前后景虚实转换（当代中国电视剧好像很喜欢用），表现梦境有创意；登山场景有拍摄难度；早期电影都很喜欢用动物，狗鸡牛鸽子等。