Wealthy Rollo Treadway (Buster Keaton) suddenly decides to propose to his neighbor across the street, Betsy O'Brien (Kathryn McGuire), and sends his servant to book passage for a honeymoon sea cruise to Honolulu. When Betsy rejects his sudden offer however, he decides to go on the trip anyway, boarding without delay that night. Because the pier number is partially covered, he ends up on the wrong ship, the Navigator, which Betsy's rich father (Frederick Vroom) has just sold to a small country at war. Agents for the other small nation in the conflict decide to set the ship adrift that same night. When Betsy's father checks up on the ship, he is captured and tied up by the saboteurs. Betsy hears his cry for help and boards the ship to look for him, just before it is cut loose. The Navigator drifts out into the Pacific Ocean. The two unwitting passengers eventually find each other. At first, they have great difficulty looking after themselves, but adapt after a few weeks. At one point, they sight a navy ship and hoist a brightly-colored flag, not realizing it signals that the ship is under quarantine. As a result, the other vessel turns away. Finally, the ship grounds itself near an inhabited tropical island and springs a leak. While Rollo dons a deep sea diving suit and submerges to patch the hole, the black natives canoe out and take Betsy captive. When Rollo emerges from the ocean, the natives are scared off, enabling him to rescue Betsy and take her back to the ship. The natives return and try to board the ship. After a fierce struggle, Rollo and Betsy try to escape in a small dinghy. It starts to sink, and the natives swiftly overtake them in their canoes. Just when all seems lost, a navy submarine surfaces right underneath them and they are saved.
放在时代背景下非常有想象力,并且在当年的条件能实现如此效果也确实是天才,只不过在当今这个时代再看,本片也并无太多亮点
低级得好笑
SIFF,西方中心主义色彩明显,但属于时代大势,基顿也不值得拉出来专门批判。动作设计在基顿最高那一档。米高梅加持下完全大制作,潜水戏碟中谍8阿汤哥怕是该给巴斯特基顿付版权费
充满想象力的电影,基顿不但是个杂耍者更是个创造力丰富的电影工作者
故事依然很沉闷。这部电影尤其突显了基顿电影里角色人物只是推动特技场面和杂耍奇观的道具而已,除此之外不需要任何性格和情绪。在基顿与女主互相寻找的场面中,整艘船才是镜头的主角,而上窜下跳穿梭其中的人物显得那么渺小。这让人想起马戏团里的表演,杂技者和舞台上的道具功能相似,都为了吸引观众
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