Menkes’ spellbinding, formally inventive first feature follows detached sex worker Ida (Tinka Menkes) through the bars, flophouses and swimming pools of East Los Angeles as she moves inextricably towards an unexpected spiritual awakening. Blending poetry by Anne Sexton, Mary Daly and Gertrude Stein, with allusions to Catholicism and mediaeval witch hunts, this stylish and slow-burning psycho-noir builds to a spectacular denouement.
Ida的每一个嫖客都叫John.
“你还要如此愤怒多久?我的愤怒不足以去死 我的愤怒足以杀人”
Akerman×Memento
【我的愤怒不足以去死/我的愤怒足以杀人】Ida 可以影射所有和男人上床的女人
有点像Reis-Cordeiro电影的影像触发方式。这里当然有“编排”,但我们无从得知神迹会在哪一刻降临(翅膀,火焰,甚至是鲜血,以及从体内游荡出去的一个幻影)。当我们的观看捕捉到这些被触发的影像时,它们同时携带着从某个遥远的时间绵延至今的女性创伤。反反复复绕圈的句子,反反复复轮回又被更替的场景,这是属于Nina Menkes温柔又激进的吟咒
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