HD
选集列表
剧情简介
The latest by powerhouse artist-filmmaker duo Christine Molloy and Joe Lawlor picks up a thread from their last film THE FUTURE TENSE, a soulful investigation of Ireland’s tumultuous history. Here, using the form of a heist movie, they tell the true story of Rose Dugdale (played by Imogen Poots), a young heiress who rebelled against her English aristocratic upbringing to volunteer with the Irish Republican Army. In 1974, Dugdale and her collaborators swiped 19 paintings—including Rubens, Goya, and Vermeer—from a private home, using these treasures as leverage for the liberation of four IRA prisoners. Lawlor and Molloy’s highly atmospheric thriller plunges us into the Troubles with heart-stopping intensity, and Poots is riveting as the revolutionary. Beneath her radical facade, we see her fragility and inner turmoil, as she wrestles with appreciation for the beautiful artifacts of a world she has set out to destroy, and the fear of the chaos she has unleashed.
观众心声
可惜了题材
很难评，极大拉低了北爱尔兰的水平
IRAploitation
蛮一般的……完全没有体现这场运动，也没有细腻的人物心理变化，我从头到尾都没看出来埃迪真的觉得女主对他很重要……这场革命运动也表现的很扯
不只是哪只神秘力量，将字面上的 玫瑰战争（在英国史框架下是有历史隐喻的） 翻译成巴尔的摩的。片子情节简单，所以要用女主角Rose的大量想象、回忆来填充。尽管片中极端左翼的行为应和的是1970年代风起云涌的国际反帝、反资本主义、反封建主义、反传统、反男权运动，但我认为主创的意图仍然是凸显对爱尔兰、北爱争取民族独立运动支持的赞扬。Rose就是那个时代的秋瑾，我自横刀向天笑，该跑跑，该坐牢坐牢。片子使用了近乎乱序叙述的手法推进，但仍然能看懂，证实了人类纠错能力的强大。下次图灵测试可以让AI看此类电影，然后让它给各片段排序，如果准确，则可通过。话说，英国农村真的有那么多的狐狸吗？