Based on the novel by L. P. Hartley, The Hireling is a dissection of antiquated but hardly dormant British class distinctions. Chauffeur Robert Shaw is in the employ of aristocratic widow Sarah Miles. When she suffers a nervous breakdown, Shaw helps her through her recovery. They grow to love each other during the convalescence; but when she is cured, Ms. Miles refuses to regard Shaw as an equal, and the original status quo is reinstated. The Hireling provides an interesting contrast to the similarly structured American film of 1991, Driving Miss Daisy.
所谓的贵族。感谢上帝这种伪善的等级制度不复存在了。
这个镜头语言跟调度太次了,拿金棕榈纯属走狗屎运
看生肉,累死老衲。表演、灯光、收音、剪辑、音乐、剧情都满分,空间造型和《樱桃的滋味》很像,1973年的大机器是如何在车厢里应用自如的?神奇。
果然是与《为黛西小姐开车》形成反差对照,借用司机身份以旁观观察,又赋予主观情感,感染力却被闷骚的英国人淡化消解。来自底层的苦闷司机最后的发泄尽管情有可原,但突兀如开始贵妇崩溃的表情般哭笑不得。
阶级差距是无法用爱补上的,只有斗争
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