In this film, a couple, after seeing the lovely job a friend of theirs has done in converting an old mill house into a cozy mansion, moves into an old farmhouse after persuading the current owner, an old man, to leave. When they arrive, he appears to be preparing to leave, but it soon becomes evident that the man has no intention of going to live with his children, and intends to stay in the house. At first, they find his presence unbearable, but when he must go to the hospital, they begin to realize that they care for the feisty old gentleman. ~ Clarke Fountain, All Movie Guide
简简单单,温柔可爱,城市乡村幻想的不断穿行和打破,会让我想起小鼹鼠的故事动画。
飞驰的轮椅,田野上的追逐,最后老爷爷出现在屋后的田圃时简直不真实得像童话。雪花莲节和我的甜蜜家园中朴素的生命观和幽默感在此片中已经初现端倪。 “他们埋葬了他,为他演奏,不能再为他做什么事了,这就是生命,现在他们可以去享受自己的生命了。”
失翼灵雀被禁后的门泽尔,选择了一个农村与城市较安全的命题,喜剧桥段增加,功力尽显。城市人想去乡间度假,乡间寂寞留守老人好不容易有人陪却被盯上房子盼着死去的残酷设定,不过还是给了个温柔的结局#资料馆江南分馆门泽尔回顾展0921
失去妻子、儿子也不在身边的独居古稀老人,城市里久住盼望到乡村度过悠闲假期的四口之家,到底是谁填补了谁的寂寞?70年代的捷克田园牧歌式生活无不让数智时代的我们甚是向往
想盘下来。
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