选集列表
剧情简介
Amiko isn’t like other children. Her endless energy and curious eccentricities make her an outcast at school and get her in trouble at home. When a painful family loss disrupts her seemingly idyllic seaside life, her sense of isolation intensifies, yet it doesn’t stop Amiko from inviting people into her world. Morii Yusuke’s directorial debut is a confident and compassionate story about a child’s imagination. The film balances sorrow with joy and harsh lessons with naive delight – much like growing up. Crucially, Amiko never forgets who is at the centre of the story. The wry humour and detailed compositions of small-town Japan, as well as the film’s hopeful tenor, are reminiscent of Ogigami Naoko or Hirokazu Kore-eda’s works. The gentle and languorous atmosphere is enriched by a score from upcoming folk star Ichiko Aoba. Kana Osawa delivers an exquisite, force-of-nature performance as young Amiko. Effortlessly natural, her commanding presence and vitality carry great weight whilst ensuring the film never falls into despair. Amiko’s unbeaten spirit in the face of tired adults and uncooperative classmates lets us go through the pain, as well as experience flashes of mischievous whimsy, alongside a spiriting musical sequence that will ensure you’ll never listen to a conga drum the same way.
观众心声
低成本摄影却在寻找表达主角内心的构图，导演的超现实主义创作思维让故事变得有趣，在大奖编剧的构思下视觉很好传达出情感，剪辑配乐的配合也让主角怪异的行为变得有爱，结局透露强大的孤独，很优秀的儿童电影
不和别人一样，是会被别人遗弃的，于是才可以独自面向海浪，朝自己的世界招手。
音楽担当:青葉市子。她是自由的象征也是被（社会）欺负的象征/
另外那个没有留下姓名只在分别时留下一句“不要忘记我啊”的男生对“被嫌弃的亚美子”的微妙情感有点动人
这可能是卡桑德拉综合征，从世俗的角度去说，她的共情系统与“我们”不匹配，客观的看待这件事是很难过的，观影过程中也会在许多事件里感受到作为自己的愤怒失望和无助。电影拍得很好，有娴熟的技巧，对于音效的使用，剪辑的老辣，且服务于内容本身，亚美子鼻梁被打断之前在医务室和小范互动，固定长镜头平拍室内全景，看到了亚美子最真实的状态，出院之后亚美子对小范的态度没有改变，这里的她身上不合时宜产生的低自尊是最明显的。电影也完整记录了这个家的散掉，实用但冷漠的父亲没有情感沟通，完美典型的继母会一层层击垮，而那么善良的哥哥也因为这样失去了人生的幻光成为不回家的不良少年，为什么要大书特书亚美子遇见幽灵，还有一首幽灵之歌，因为最普通的沟通，最普通的语言都没有人对她使用了，最后她面对幽灵们的招手勇敢的挥手再见，这很唏嘘