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剧情简介
The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot: As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
观众心声
在假装扩展我们体验的同时，也能提供娱乐及凝聚力。作为个本质不符于世的浪漫主义者，徘徊在堕落的贵族与怜悯的影子。他怀抱有一大片忧郁的土地，像触手可及掠过的风，梦醒不会无痕。最后抛却放逐，甚至决然地明白：每个人都是浸着腐朽皮囊的玩偶。流动文学。
懒惰，自私的波兰贵族们从骨子里瞧不起生意人，即使你很会赚钱。爱上戴着虚伪面具的女子真是可悲。看的出来本片有删减部分，喜欢片中两处的平移长镜头
@Reflet Medicis修复后质感太棒！古装历史剧典范，虽然两个半小时但感觉表现大图景还是仓促了，看完有点想刷原著，还是更适合拍成电视剧，或者在剧本层面更多聚焦。虽然没落贵族和新兴资产阶级碰撞的故事有些俗套，但放在波兰的历史框架下饶有况味，中国还友情客串了一番，值得把玩。低角度镜头，饿殍遍野与浮华虚荣的凋零之美工整又典范。
今天路过一建筑垃圾堆，歪倒的柜子上躺着一只安逸的胖猫，逗了一会猫没理我，正想转身的时候，突然想到了《玩偶》开场的废墟长镜头，女人坐在古董堆积成废墟里，对着镜子，泰然自若，正如这只猫一般，在那一瞬，我仿佛明白了导演想表达的东西。19-10-29更新
文学性强，好看