选集列表
剧情简介
Dim witted Dong-chul (Kim Myeong-kon) roams the streets of downtown Seoul wearing the clothes and watch left behind by a film director (Lee Jang-ho) who committed suicide. One day, he sees a pretty college student named Hye-young (Lee Bo-hee). He conspires with auto mechanic Yuk-deok (Lee Hee-seong) to kidnap her, only to discover that she is not a college student but a prostitute. After the taxi Yuk-deok snuck out of the shop is stolen, he and Dong-chul starve for a while, then manage to earn their meals by running errands in the red light district where Hye-young lives. But they are kicked out again when they are caught trying to help a new girl from the country escape. Hye-young sets out after Dong-chul and Yuk-deok, and the three of them enjoy a pleasant time at a seaside resort before Hye-young goes on her way. While working as waiters at a saloon in Seoul, Dong-chul and Yuk-deok run into Hye-young, who is there as a companion for one of the guests. During the ensuing party, Hye-young becomes the plaything of the upper-class men in attendance and eventually loses her life. Dong-chul and Yuk-deok deck her out in fineries and carry her out on their shoulders to bury her.
观众心声
Bare life.
开头童稚声音的故事介绍、女性对男性欲望的挑拨（嘴唇吸面、短裙（其她人长裙的衬托）、绑带高跟鞋、抖动的胸部）、对男主怪诞性格的描述（穿着衣服洗澡、跟踪绑架陌生女性、全程带着黑色墨镜、吃菠萝叶子等等）都在一开始让我觉得很有意思。 但逐渐随着怪诞的行为越来越多之后，我不得不觉得这个男主过于猥琐。看来看去看到最后也不知道导演想表达什么，是我不懂艺术。
韩映频道 93mins 720p；寓言故事 - 傻瓜降世，“游戏”人间，一代复一代...；对白与配乐的调度、儿童旁白、配乐-声画的传统现代“对立”，本能欲望的亘古不变（80年代韩国色情片的泛滥）；道具（墨镜）的运用；一开始就让我感慨这个新浪潮先锋导演；小孩旁白的语速可以不看英文字幕了，可是要会读唇语啊；对于电影行业的担忧——自杀的导演，片尾的声音蒙太奇；
全篇几乎没有台词，被审查机构搞得无语的电影意外有着卓别林电影的神韵，即使放到现在，也是世界名作，堪比《寄生虫》。流利的镜头处理和欢快的声音节奏，让人错以为是喜剧电影，从开头的导演之死，到结尾身为守护者的女子之死，无疑是无以言说的悲哀表达。不过，很好奇，从此电影到《世界尽头》《gagman》的三人行电影中，为什么女性角色一直是“卖春”和“神圣”的母亲形象，这与1980年代受挫的韩国民众，自然是男性代表的一种隐喻吗
蓝光英字，默片风格和夸张的表演配合相得益彰，音乐起伏配合叙事，荒诞有趣充满符号化的道具场景和动作，教科书级的摄影和构图，色彩鲜艳明亮是80年代代表性的风格，窑子红黄蓝绿的光影处理相当妙。电影内核阐述了很简单明了的善恶观，梦醒之前是荒诞的喜剧，梦醒后多了些现实意味，看似光鲜亮丽但虚伪丑陋的上流社会，对比底层粗鄙的傻瓜和卖淫少女，但后者单纯善良富有正义感，自由且快乐，孰是孰非并不重要，影片用死亡对抗丑陋的世界是无力的抗争，但留下纯净的呼喊震撼灵魂