A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's "The Women". It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work "against" the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.
很奇怪的片子。不知道是不是舞台剧原封不动拍下来的。
当她们的生活和爱情出现问题时,她们除了嘲笑别人之外没有更好的事情可做
CH的女人们
法斯宾德后期通过电视媒介来结合电影和戏剧的尝试,并借助该美学形式在赋予后者生动性的同时带给观众更直接的空间延续性。全片四十名女演员展现沉溺于窥伺他人来化解个人不忠感情和不幸生活的上层社会女性形象,缺席的男性却作为其一切行为的缘由。群体的性暴力关系被结构化并控制了角色的精神和言语。
以擦玻璃的女工、偷听的小孩为前景,形成有趣的并置
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