In the Post-World War II, in Los Angeles, a criminal shots and kills a police officer in the middle of the night. Without any leads, the chief of the LAPD assigns Sgt. Chuck Jones and Sgt. Marty Brennan to investigate the murder and apprehend the culprits. When the dealer of electronics devices, Paul Reeves, is caught selling a stolen projector, the police identifies the criminal, and connects him to other unsolved robberies. Using the witnesses of his heists, they draw their face, but the true identity of the smart and intelligent criminal is not disclosed. The perseverance of Sgt. Marty Brennan in his investigation gives a clue where he might live.
一看到港台这充满创意的片名翻译就知道这片子看完一定记不住名字
双重的“灯下黑”:嫌犯可能来自警局内部,虽然未必一定是纯正的警察身份;藏身地点可在大街之下四通八达的城市下水道管网,此概念的提出要早过英伦经典第三人……本片从题材来看就是一部标准体的警宣维安电影,可经Noir大师安东尼曼的风格渲染之后,故事的趣味性可看性猛增!特别是曼所擅长的黑色光影和纵向空间。
似改编自真实案件,然而对案件本身以及杀人犯的个性、过往均作了极简略的处理,于是整部电影其实就像一场捉迷藏:找到那个凶手。
滥用旁白 法治宣传片
下水道是城市的良心
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