选集列表
剧情简介
The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate. The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film. The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches". Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.
观众心声
还是八十年代法影的摄影，色彩庄重艳丽。故事没什么说的，一个家庭情感小品。sandrina怎么会看上光头，是补偿心理还是报复丈夫，我不是女人真的不理解，尽管看到一小半根据脉络我有点猜出
sandrine bonnaire so good 35mm@lincoln
so weird
影像的直接和人物与调度的“暴力”不用再赘述，影片让我最留意的主角却是农耕机器。和其他影像不同的是，玛佐让机器在这里不再是冰冷的现代文明象征，从而成为每每意外发生时，最包容的器件，人物失序的状态被机器所包容与拥抱。割草机与配套的一台铲车，噢，也是兄弟、爱人与叔侄。
一部关于情绪的电影；不接洽的剪辑手法加强和精确了观众应该感受到的情感和情绪。男主把爱嫁接在女主孩子的身上了，也通过与孩子之间的一次次“事故”拉扯制造了多巴胺。