西南偏南电影节剧情片竞赛。 Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.
想打三点五的,明明有足够吸引人的角色,要是能再往下深一点点就好了。少女出逃的戏码无疑是打动人的;还是从一个如此教科书式的反派手中。但是校长的愿望和想法又到底是什么呢?除了严苛、保守、虔诚外,我们只匆匆窥见了她也曾犯错的少女时期,却没有更多的展开,有点遗憾。以及很多想表达的意思用这么美的景和人都可以表现,不需要逐字逐句说出来或者用旁白,其实拍得更诗化一点会更好。
虽然是很严肃的时代背景但是聚焦在三个女孩的友情上
I was going to see this for MASIFF closing night but I wanted to see Under Streetlights for a second though I ended up watching for 8 times already, but finally I watched it in Townsville. I like this film a lot and New Zealand films will never let me down.
三个女孩的叛逆童话。画面拍得很美,但人物塑造脸谱化,新西兰好像没有白人对毛利女性绝育的历史依托,本片想刻画的其实是girl power。
老影迷阅片打卡~(照例贴几张截图)
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