选集列表
剧情简介
When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots. Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
观众心声
绘画往往被误解为静止的艺术，人们忽略了其创作过程中的流动性和观看过程中的运动，在这部电影中，除了如同往干净的背景中堆砌元素之外，大量的手持固定镜头更是不断呼应着美术创作。近年来开始有越来越多的电影关注人们生命的最后时刻，迈克尔哈内克《爱》、加斯帕诺《涡旋》，这仿佛是一种属于新时代的类型，但是当电影结束，演员们都走出角色活了过来，就仿佛角色的作为符号的死去是为了在电影之外复活。
看了五分钟就开始心脏疼。影片中引用了不少波伏娃、萨特，也有很多对个体选择、对死亡的哲学思考。死亡方式对母亲对女儿是一种残忍，对观众何尝又不是呢。结尾的电子乐是亮点，这不是一场哀悼。
气质尚佳，不够精炼。
如此手持为哪般？？？最后看到说“你的妈妈已经睡着了”时，想起前几年眼睁睁看着自己老妈在病床上咽下了最后一口气，霎时就泪奔了。。。
海报加分！