选集列表
剧情简介
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”
观众心声
女孩车祸死了之后电影的表达就结束了，之后还兜一个犯罪悬疑计中计的套路就很不上档次呀！
6/10。佩恩精心营构的电影风格较之候麦更为缓慢，叙事围绕着一件走私雕塑展开，这件雕塑与‘‘马耳他之鹰’’类似，皆是被诅咒的宝物。哈里也与萨姆·斯佩德同属一类侦探角色，他往返于艳阳高照的洛杉矶和潮湿偏僻的弗洛里达之间，苦苦追寻一个有万贯家财等着去继承的少女瑞丽。她刚逃离了身居豪宅的贪婪母亲，去弗洛里达拜访她的继父，同时勾引继父。乱伦的主题让阴谋从每一处细枝末节中渗透出来，佩恩拒绝给出一个确定的真相，通过一段呈现车祸的电影片段，来暗示瑞丽成为了一场阴谋的祭祀品，而且这场阴谋还将不断蔓延，结尾一场更可怖的‘‘车祸’’（由水上飞机造成）给了人物致命一击，漫长的镜头中，一辆破损的船远远漂在海面上。这场阴谋最后谁赢了？或许就像哈里坐在客厅椅子上看着球赛转播时，向妻子咕哝的那样：没人，只是有人输得更慢。
美国伤痛文学吗？
這部具備所有經典黑色電影元素的新派黑色電影，看似走的是傳統套路，但核心其實圍繞著一位賣慘型偵探，一邊查案，一邊將自己的人生也推向崩解。隨著劇情推進，他的命運就像片尾那艘在海面原地打轉的船，鬼打牆般地失去了方向。 整體節奏壓抑，故事雖不複雜，但導演刻意壓低爆點與懸疑張力，讓整部片都在看主角賣慘。 唯一真正令人驚豔的，是 Michael Small 那個至今未出ost的配樂。 紀念gene hackman老爺子
【New Beverly】35mm胶片放映。剧本逻辑跟double feature的the long goodbye基本一样，这就是你们排片的小巧思？但实锤我对美式film noir侦探片真没兴趣，没有奇案只有中年危机丑白男侦探= =