HD
The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931). Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system? With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises. 源自:https://iffr.com/en/iffr/2023/films/endless-borders
前面略显拖沓了,
有勇气的独立电影,既反伊朗神棍,又反阿塔恐怖组织,但这些都是第一层要表达的,更深层在于道德上的枷锁,特别是女性的命运完全在男性手中,这是更加无尽的边界。
这个国家就是不断地逃亡
5.21 中东边境包含太多课题,地缘政治、宗教问题、民族问题、女性问题,涵盖在一部电影里却恰到好处,剧本相当扎实。因为无奈,所以一切都那么真实。
到头来只能抽打稻草人…
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