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"Milano odia: la polizia non può sparare" aka. "Almost Human" of 1973 is a brutal and brilliant Poliziottesco, one of the most uncompromising films of its genre, coming along with an ingenious score by none other than Ennio Morricone. Apart from the brilliant score, the brutal, uncompromising violence, the raw atmosphere and gripping story it is furthermore two of the greatest ...
男主够冷血
彻头彻尾的暴力,这片儿充分展示了一个内心懦弱的人有了枪之后会变得多么的可怕。如果举例的话这片儿就好像抽大前门,呛得厉害,也很有劲儿。
算是绑架片里天花板级别的了
非跌宕起伏的亢奋,狂欢般的躁郁及纵欲令人胆寒,任由高纯度的恶魔因子肆意扩散,侵蚀并消除一切变态人格的假想对冲力量。一阵屠戮之后,正义的子弹终于显身,却好似在伤痕累累、血污遍布的躯体上贴了张创口贴。Tomas Milian的表演“点亮”了全片。
上世纪纯粹的娱乐,犯罪+裸露,已经不能满足当代的审美,男主刻画的角色很有味道。
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